VAURA_CAST_001

Opening transmissions from VAURA — conversations on empire, culture, and remembrance.

HELLO WORLD

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Podcast Clips

Short transmissions from VAURA_CAST_001 and 002.

TOP CLIP
Podcast EP1
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CLIP
Podcast EP1
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NARRATIVE CLIP
Podcast EP2
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MUSIC VIDEO

XMEN — DVTÈ
Visual transmission from the first edition of EL UpRAsing, directed by DVTÈ.

EL UpRAsing

From a five-track EP to the eleven-track Reclaimed album. Follow the recordings and the artwork through two releases from DVTÈ.

XMEN, RA #9, Only Sun, and Man on Fire carry forward from the EP. Reclaimed opens with upRAsing, where the EP began with RAphaEL.

The album adds OUTLAW, The States At My Door, Cabbage, Sunshine In The Hood, Confetti, and The Walls In This Place to that sequence. Man on Fire, featuring 4ELAMIN, remains the closing track.

Inside the artwork

The cover reads as a symbolic declassified report: a movement through confrontation, Indigenous remembrance, and recovered identity.

Reclaimed artwork, with its report, seal, and surrounding portal
01 / The report

“The uprising is therefore not an external rebellion but a recovered identity, a restoration of memory and authority that had been suppressed.”

The words behind the image are part of the work. Read the complete text below.

02 / The seal

“The placement of the seal signals completion of the integration process, marking the subject’s transition from reactive revolt to internal sovereignty and Indigenous remembrance.”

03 / The shared frame

The stone portal from the EP remains in Reclaimed, rendered in red and black. The figure gives way to a written account and a central seal, connecting the two covers through the same threshold.

Read the complete cover text

The passage printed behind the seal, presented here as part of the album’s symbolic narrative.

Subject exhibits spontaneous ancestral memory activation triggered by prolonged exposure to institutional environments characterized by cultural erasure, psychological manipulation, and structural misalignment. Initial analysis shows the subject interpreted hostility as external threat vectors, producing early stage revolt language symptomatic of identity fragmentation and misassigned warfare orientation.

Subsequent internal signals indicate the activation of suppressed Indigenous lineage pathways, resulting in breach of the imposed colonial identity container and emergence of encoded memory consistent with Christ pattern awakening cycles. The subject’s nervous system flagged jurisdictional violations and ancestral displacement, initiating the remembrance sequence in which the Christ structure within the psyche begins reconstruction of the original sovereign architecture.

The resulting cognitive split severity versus mercy, retaliation versus clarity represents the classical divide within the uninitiated mind. The black chamber symbolizes the confrontation zone where false war projections collapse and the actual battlefield is identified as internal.

Within this chamber the subject uncovers that external “states” function as psychological jurisdictions rather than physical agents, revealing that the true mechanism of control is indoctrination, not force.

Upon recognition of this, the Christ structure stabilizes and reorganizes the inner field, reconciling the two pillars into a unified sovereign state. This unification event dissolves the retaliatory reflex and clarifies violence as an artifact of misinterpretation rather than a viable strategy.

The placement of the seal signals completion of the integration process, marking the subject’s transition from reactive revolt to internal sovereignty and Indigenous remembrance.

The uprising is therefore not an external rebellion but a recovered identity, a restoration of memory and authority that had been suppressed.

EL upRAsing documents this transformation as a declassified account of the moment remembrance overpowered indoctrination, mapping the shift from false warfare to sovereign clarity and recording the emergence of the Christ within the subject as the operational center of the awakened self.

The passage gives way to a repeating refrain:

VIVA VAURA · VIVA VAURA · VIVA VAURA

Original EP notes

RAphaEL opens the spell: EL (Elohim) rising through RA (true light), calling the listener back to the heart and away from the poisoned systems that feed the Beast.

XMEN is a field report from Houston — a cultural mecca — where empaths, prophets, and clairvoyants gather as modern X-Men to reclaim power and rewrite the script.

RA #9 moves through death and rebirth, confronting psychological warfare, CIA-coded programming, and the voices in the walls that arrive when consciousness widens. Watch RA #9 at Art Club ↗

Only Sun moves through projection, doubt, and the tension of being seen.

Man on Fire is the burning of the old self — ego, costume, and fear — featuring 4ELAMIN as the flames rise into a collective invitation: “I want the whole wide world to dance with me.”

Campaign archive · December 2025

EL UpRAsing — the December chapter

In December 2025, DVTÈ withdrew from the planned EL UpRAsing performance at Art Club after a breakdown over professional boundaries within the collaboration. Stepping back meant leaving behind a campaign already built through music, film, photography, and promotion. The work remains part of VAURA’s history.

View the statement and campaign materials
DVTÈ’s signed external communication dated December 7, 2025
External communication · 7 December 2025
Open the signed statement ↗

It’s Time

Unreleased song and video. A short excerpt from the work surrounding this chapter.

Watch on DVTÈ Exclusives ↗
Contact sheet of EL UpRAsing campaign photoshoot selects
Photoshoot selects ↗